Very quick post: I found Anderson's discussions on art to be one of the more worthwhile sections of _Origins_, outlining the after effects of Jameson's "capture" of postmodernity on the art world (or just approaches to art in the seventies and on)--new topics to our class/me. I found his description of the citra vs. ultra approaches after the crisis of postmodernity particularly interesting and I keep refering back to it, trying to place certain artists (especially contemporary ones and the ones A. offers) within this dichotomy with varying success...