In Anti-Oedipus and A Thousand Plateaus, Deleuze and Guattari very often describe their multiplicity of concepts in spatial terms: a recording surface covering a body without organs, points of disjunction forming circles on the body without organs, machines that are adjoined next to the desiring-machine. The rhizome is always in the middle, between things. All these prepositions, off-shoots and parabolic sweeps serve to let the reader work out these concepts in space, a picture of machines in motion, gears inter-locked.