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Not exactly “choose-your-own-adventure”…

It’s amazing how strong—and similar—many of the responses to Joyce’s “Afternoon” have been. Like shock and awe and many others from our class have mentioned, I was frustrated with the format of “Afternoon.” However, the hypertext was also incredibly intriguing, and it was definitely worth “reading” in order to get first-hand experience with hypertexts.

At first I went through “Afternoon” the same way I used to read the “choose-your-own-adventure” books that I read when I was little (and that Joyce references in his article, as well as Lulu on the blog). I soon realized how different the two are. You can’t completely reread, as I used to do with adventure books when I chose a certain path for the heroine but was immediately disappointed with my decision and eager to see option B. I found that with “Afternoon,” every time I chose “yes” then clicked back and chose “no”, I ended up with the same piece of story on the next screen. I assume that I hadn’t reached a part where I had the power to make the decision “yes” or “no” that actually mattered, but it was still interesting to see how active I actually could be as reader and semi-writer (which is, as both Joyce and Landow seem to say, one of the main purposes of the text).

Aside from the maddening fun I had experimenting with typing in words and seeing which piece of the story I would get (though it didn’t seem to get me anywhere in the plot), I really appreciated the hypertext after reading Joyce’s article. As Lulu and Frabby have pointed out and Joyce says, “Retrospective expectation is fundamental to the experience of rereading in any medium. Outside, our lives passed through us, we are nostalgic for a complex tense in which what was can be again what will have been other than what it was” (138). So…hypertext mimics the normal processes of life, in a sense. I’m just wondering what our class reading of the text will be like, because if, as Joyce says, “it is unlikely that successive readings by a single reader will be in any significant way alike” (137), how will many individual readers discuss the text together? It should be fun to see, but then again, I suppose finding one set plot isn’t the point of why we read it.

hypertext fiction, readings, Joyce

Cool! I don't think hypertexts have much to do with choose-your-own-fiction or "tree fiction." I went back and read a flock of kid's fiction once because I thought they would.

Part of the problem is that one can't really write a "tree". The range of reasonable responses to almost any given situation is such that one reduces the complexity of what happens even if one gives a dozen options to a lexia. And then, imagine how quickly the options explode: 12*1=12; 12*12=144; 12*144=too many to write, and we're basically on page three of ye olde novel.

I tried to pick events in which the action would naturally recurse or dovetail (the events I found are interesting -- orgasm, seizure, and death). But even then the writing recursed so much that the results felt like revery rather than a progression of events. So I think this sense of retrospection is, if not inevitable, at least fundamental -- "As We May Think," not "As Happened the Other Day."

hypertext fiction, Landow, readings, Joyce

The whole branching "tree fiction" has problems that Bolter analyzed somewhere years ago. Even a moderately realistic range of options is terribly subtle and varied. Meanwhile, if I have even 4 options to a lexia, the story explodes:

4x1=4; 4x4=16; 4x16=64; 4x64= way too many, and I'm only on page 4 of a short story.

I think things have to recurse (dovetail, if one thinks visually). Some events naturally do so. They're generally profoundly physiologial: orgasm, cathartic memory, seizure, and death. I tried a hypertext based on one of these, but it still had to recurse and repeat: while the action narrowed obediently, the considerations of the action spread as much as usual.

It really does seem to be "As We May Think" and not A Funny Thing Happened on the Way to the Forum.