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Library of Dust

First of all, stop reading and go here. Look through all the pictures. Then come back.

I’m on a magazine kick, so stick with me. I was flipping through the UTNE Reader which, as I said in my last post, is horribly dull so I really wasn’t in the mood to read any of the articles. I came to these pictures and was pretty amazed and confused about what they were (which, of course, forced me to read the article). Turns out, they are old copper cans, filled with CREMATED REMAINS FROM AN INSANE ASYLUM.

Maisel is a photographer whose work “has chronicled the tensions between nature and culture.” Past projects include aerial images of cities captured from low-flying planes. He has examined copper and coal mines, the almost-empty Owens Lake, the Sierra Nevada Mountains and the Great Salt Lake. This project, however, has taken a new (and, to me, a slightly disturbing) new look at the ways in which humans interact with their surroundings.

The Oregon State Insane Asylum has around 5,000 copper cans containing the cremated remains of past patients which went unclaimed, and Maisel was eager to get a look at ‘em. The cans had been transferred to an underground storage vault where moisture took its toll and the magic happened. Mineral crusts have emerged from the seams of the cans creating rather beautiful color patterns. Maisel says “I’m not a believer, but they have a kind of continuity…a sense that the individual is somehow continuing, even if it’s in an inorganic state.”

He has arranged several trips to the hospital and managed to photograph each of the cans individually and in natural light to avoid altering the images.

Anyways, I just thought it was a pretty neat project, if a bit creepy, and the images are rather beautiful.

David Maisel!

David Maisel is a genius. He has this amazing ability to convey the horrific and the sublime simultaneously. His Lake Project was shown in the Pomona College Museum of Art last fall, and he talked about this project as well. You're right, it's a bit creepy, but the images are beyond beautiful, and it really gets you thinking.

More info on the Lake Project from Pomona College Museum of Art's Web Archive:

“The Lake Project” presents large scale aerial photographs and video projection/soundscape by David Maisel. The photographs, made between 2000 and 2004, are complex, abstracted maps of the Owens Valley, a terrain created by the diversion of the waters of Lake Owens to the municipal water system of Los Angeles and by subsequent EPA amelioration. The photographs, taken from a small plane, combine geography, geology, cartography, and industrial archaeology. The presentation—large scale color prints and video projection—offers a majestic, almost horrifyingly beautiful, vision of destruction and intervention. “The Lake Project” is at once an archive of geographical transformation and a vision of the sublime.