MS 190: Authorship is the course website for the Fall 2006 Media Studies senior seminar at Pomona College in Claremont, California.
Copyrights
I was torn on the copyright discussion earlier. It seems to me that artists often get the short end of the stick monetarily. Think of all your mediocre friends headed to wall street, and then all your amazing and insightful artist friends who are headed towards the starving category. I agree that artists should be able to borrow each others' work if they cite it (any press is good press anyway), but I think artists should get paid each time their work is viewed/heard/read. And I don't see the problem with an artist's kids getting the money after their death. A businessman usually earns enough to pass a chunk down to his children. Works of art are usually cheap but sometimes timeless, and if this is the case why shouldn't the artist's family get the profit after the artist's death? When we live in an economy that already favors heartless work (not in the bad sense, just the uncreative one) over art, why further the trend? On that note, I agree with pretty much everyone that it's ridiculous when a recording company claims to own a song written by one of their artists, and gets paid more for it than the artist who came up with it in the first place. The only solution to that I can think of is an increase in local independent radio stations and an end to payola, to make start-up artists more accessible.
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i agree but...
I agree that an artist spends a lot of time crafting a work and should be compensated, preferably every time a work is sold. However, what's different with Wall Street than with art and music, is that the work on Wall Street explicitly revolves around money, it's about earning lots of it, etc. What is the point of art? Do you make it for yourself, do you make it to share with others? Copyright policy has the potential to hinder the sharing of art, while technology has the ability to overcome that. For example, in Cameroon, the dollar is really strong, and everything is really cheap when compared to here. You can buy a big meal for $3.00. However, a legitimate copy of an album costs about $20.00, which is pricey even by American standards, and is pretty ridiculous to expect an average Cameroonian to spend that much on a cd. Artists and people from recording companies say that it's necessariy to charge this much, to cover costs of production. On one hand, art is worthwhile and important, but for many it doesn't hold a candle to food, and other things you need for nourishment and survival. People have been able to go past this, and purchase bootleg cds for $2.00. Pirated music is one of the only ways many people there can access music. While it's important that the artist finds adequate compensation, is the answer really making it so that only rich elites can access the music and art? should it be like, you're working class, that's tough, you don't get to have access to the ideas and expressions in art and music. It's a difficult situation, because both sides are in the right, at least in my opinion. The solution will not be something easy as we need to stop all pirating, or that we need to make all music free. Some sort of compromise, or new alternative way of distributing music, etc. needs to be found.