MS 190: Authorship is the course website for the Fall 2006 Media Studies senior seminar at Pomona College in Claremont, California.
Cinema vs. Literature
I took a class while studying abroad about cinema and literature and we devoted a large part of our time to the analysis of cinematic adaptations of literary works. Since then I have been very interested in the comparison of the two mediums and this dichotomy between the written and the visual modes of story telling. While reading one of the essays in Authorship and Film, I was reminded of that class and this discussion of cinema vs. literature. Janet Staiger in her essay "Authorship Approaches," quotes Astruc as saying "cinema is becoming a language, which allows it to break free from the tyranny of what is visual, from the image for its own sake...to become a means of writing just as flexible and subtle as written language."
Staiger continues in saying that for Astruc, "cinema might be able to express ideas equivalent to the novels of Faulkner and Malraux, to the essays of Sartre and Camus." Though I think the inherent differences between the medium of film and that of literature make it impossible to pass a judgment on which is more effective, comparisons of film and literature make for good discussion.
While literature relies on verbal communication through the form and structure of the written word and the decoding of the text by the reader, cinema depends upon a visual form of communication though the imagery of a film and its interpretation by the audience in order to tell its story. For example, for all the narrative power of the written word, words can never achieve the visual clarity made capable by cinema. On the contrary, however talented an actor or actress may be, it is impossible to reproduce the level of psychological depth of character obtainable through the written word.
In the case of adaptation, is it really fair to compare the movie to the book since the two mediums are so fundamentally different in form? Or, must the texts be analyzed within their own genre? Hmmmm.....
The Notebook
I definitely think it is very interesting to consider movie adaptations of books and that translation between print and screen language. I just wanted to throw out an interesting example: The Notebook by Nicholas Sparks. If you watch the movie with commentary by Sparks, he discusses the different ways the book and the movie portray the time that the guy and the girl (names??) are getting to know each other. In the book, it will tell you about him reading her poetry and about all the developing emotions he felt. In the movie you see the two of them just hanging out, doing stupid things like laying in the middle of the street just for fun. But somehow, through those images (which were not in the book) we see the two characters come together and really bring out the life in each other, which is exactly what the book more verbally explains. Interesting. Also, especially with a love story, you can have a beautiful poetic understanding of the love and, as an entirely separate thing, a visual outward manifestation of that, which engages the viewer sensually moreso than abstractly. Definitely check out the movie if you have only read the book and vice versa. I think it is the one adaptation that I have ever really been impressed with.


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