K I wrote this one in my notebook and forgot to type it up, so I'm skipping way back to Hamlet on the Holodeck:

Chapter 10 of Murray's Hamlet on the Holodeck focused on the "kaleidoscopic world" that can be represented with new digital media, allowing audiences to choose which characters to follow among a variety of choices, and perhaps by a variety of authors. Murray writes that this "can feel to some like an unauthored world," but I see it as a much more appropriate representation of the real world - in which we each have a unique vantage point, and can get closer or distance ourselves from the perspectives of others. This "ability to capture experience as systems of interrelated actions" suggests that narratives will become more complex in the future, broadening the "good guy/bad guy" stance taken by many television shows and movies to expose the intimate perspectives and motives of each character - something the traditional television show or movie does not have the time to explore.