Telling Romance and a Lingering Question

Upon reading the first 150 pages of this lengthy and multi-faceted novel, I have come upon a quick realization. At first, I was a little ashamed, feeling as if I was acting frivolous and shallow, but now I see a few pertinent reasons behind my discovery. I have discovered that my favorite parts of this novel thus far are the romantic scenes, preferably the ones with Roger and Jessica. This is not because I have a soft spot for relationships and bonding or because I like to read Pynchon's rather graphic descriptions of budoir activities, but rather because I feel like these scenes are the most telling to me. They are a little easier for me to read and they are absolutely full of interesting, poignant statements and symbolism.

For example, at the end of one of Roger and Jessica's romantic interludes, after a rocket has fallen nearby and they are very shaken up, Pynchon notes, "Death has come in the pantry door: stands watching them, iron and patient, with a look that says 'try to tickle me'.(61)" This quote is significant to me for a variety of reasons. The personification of Death in this passage makes it seems large and imposing as it lingers in the doorway overseeing the tentative and naive lovers. Death is wizened, mature, and powerful whereas they seem mere pawns in its wake. Also, this statement makes Roger's business, the military and scientific collection of facts and statistics to chart bombs and catch canine saliva, seem trite and utterly powerless in the face of Death. In this statement Pynchon seems to utter a warning to Roger, Jessica, and the other analytical fools that nothing that they can do can stop Death. This makes me see the helplessness of all the characters as they just wait for the next rocket to fall.

I also have one question for you all. I am very confused with the significance of Katje in the story so far. I understand that this is an encyclopedic novel and many characters will be waltzing in and out of the plot, but if anyone has any ideas, please help!

While scenes with Roger & Jessica were some of the most coherent (which I deeply appreciated amid the ambiguity of the novel), I thought Roger and Jessica's relationship seemed a little desperate. It was as if they clung to each other for no other reason than because love was easier to handle than war, and it made them feel like they had something to live for. Jessica questions whether she even wants to stay with Robert, and I feel like Robert clings to her because she's a rare beautiful constant in his normally dull, war-torn life (which is partially why he is so possesive of her).

In terms of Katje, I'm not sure anyone could fully pin down on her character, but the quote I mentioned in my entry really helped me understand her: Despite being "encolsed in the soignée surface of dear fabric and dead cells, [...] [she] is corruption and ashes" (94). She is beautiful on the surface, but that is just a facåde covering her rotting and corrupted interior. Katje does what she needs to in order to survive (including enduring the strange sexual whims of Captain Bilcero), but has her own aims underneath her obedient guise. This book (along with war in general) is filled with masks, false fronts and secrets, and she's a pretty strong embodiment of that.